Selected Work

How Long Shall They Kill Our Profits?, 2018. 
US Corporate Profits vs. Employee Compensation with Economic Uncertainty Index (1996-2016)
Oil Stick on Belgian Linen. 218 x 90 cm / Courtesy of GSL Projekt, Berlin, Germany.


Everything is Getting BWEOTRTSEER, 2018. 
Aluminum Cabinet, Plexiglass, LED Light Emitting Diodes, CPU, Power Transformer. 52 x 32 x 10 cm / Edition of 5 / AP 1 


Manifesting Worlds (Infinite Loop), 2017.
Projected Video Installation, Stereo Soundtrack. Edition of 7 / 1 AP. Courtesy of Galerie Andreas Schmidt, Berlin, Germany.


Listening Session I & II: Fear of Death / Fear of Life, 2016-2017.
Audio Monitors, Amplifiers, Blankets, Printed Artist Publication & ‚ÄčArtist Performance. Courtesy of Nova Kultura Foundation and United States Embassy, Sofia, Bulgaria.


Finished With Engines No. 1 (Saturn V) & No. 2 (Atlantis), 2017. 
Photographic Pigment Prints on Paper. 148 x 111cm. Editions of 2 / AP 1. Courtesy of Galerie Andreas Schmidt, Berlin


The End Is Only The Beginning of Another Story (American Endings #1-25), 2015.
Dual Channel HD Video Installation, Stereo Soundtrack. Duration 00:25:15. Courtesy of Sariev Contemporary / Open Arts Foundation, Plovdiv.


No More Nations, 2015.
Offset Lithographic Print Multiples in Public Space, 200 x 140 centimeters. Courtesy of the Weserburg Museum für moderne Kunst, Bremen, Germany. 


Everybody Knows Our Cities Were Built To Be Destroyed (The Lustgarten), 2018. 
Reconstruction of the Berliner Schloss, Germany. First Constructed 1442 / Destroyed 1950 / Reconstruction 2019
Pigment Print on Paper. Edition of 3 / AP 1, 110 x 148 centimeters. Courtesy of Ecole de Recherche Graphique, Brussels.