Listening Session I & II: Fear of Death, Fear of Life, 2016.
Audio Monitors, Amplifiers, Blankets, Dual Channel Audio, Printed Artist Publications
Courtesy of Nova Kultura Foundation, Sofia, Bulgaria.
Part audio time-travel and part ritual, these artist performances explore how Songs themselves can operate as Monuments without a body.
Each performance presents rare archival recordings of unique live recordings by deceased musicians. The artist provides a commentary for each song within a historical context while a select group of participants listen via synchronized high-fidelity in-ear studio monitors. A printed artist's publication accompanies each performance and is provided to those participating in the sessions. The publication takes the form of a song booklet featuring transcribed lyrics, song authorship, discography details.
Recorded music has existed for about 150 years and high-fidelity recordings for less than 75 years. Before the advent of recording technology, the listening of a Song was perceived as a unique experience which was temporal and impermanent. The Song was then either written in musical notation or verbally passed from person to person as a memory expressed in individual performance.
The Listening Sessions approach the monument of Song by using recording technology to re-animate the presence of deceased musicians and collapse the perception of time to transport the listener back to the moment of the original live performance. In a deeply Countermonumental way, this work seeks to essentially reverse the decay of the aura of recorded performance by returning the audience to a ritualized experience of these Songs in high-fidelity and within a historical context.
*The use of in-the-ear headphones is recommended
for the best experience when watching Listening Session excerpts.
Excerpt from Listening Session VI : Countermonumental Strategies (Nina Simone / Why?, 1968), 2020.
Courtesy of Ecole de Recherche Graphique, Brussels (ERG) and Université de Louvain (UCL). Duration 02:55